Susanne Clark

Prickly Heat, 14" x 14"

Being a painter has transformed the way Susanne Clark views and interprets her surroundings -- nothing looks the same as it did 5 or 10 years ago. In her experience, the artist’s eye is an adaptive one, always changing its way of seeing and portraying the world, and she is moved to paint when light, shadow and color come together in a dynamic way that captures her imagination. She finds working with transparent watercolor is like solving a series of puzzles -- how to get a certain texture, what pigments to mix for an unusual color, whether to add water -- a process she enjoys.

Pure Honey, 12" x 10"

P is for Pumpkin, 18" x 12"

Although she is self-taught, Susanne has taken workshops with Tom Francesconi, Karen Knutson, and Donna Jill Witty, expanding her skills in diverse ways through their workshops. She paints primarily from photos, but believes that good draftsmanship is of utmost importance, so she regularly practices sketching from life. Recent work with pastels has also been rewarding, but the sublime interaction of brush, paper, water, and pigment always draws her back to watercolor.

Don't Forget the Onions, 6" x 6"

Susanne began painting in the late 1990s and has been juried into national exhibitions with the Transparent Watercolor Society of America, the Northwest Watercolor Society, the Wyoming Watercolor Society, the Richeson 75, and the Maryland Federation of Art, as well as numerous exhibitions in the Chicago area. She is a signature member of the Illinois Watercolor Society, the Northwest Watercolor Society, and the Wyoming Watercolor Society. She is represented by the Old Courthouse Arts Center in Woodstock, IL.

Snooze, 11" x 15"

Go to Susanne's gallery page on the Illinois Watercolor Society website to see more of her work.

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Sarah Yeoman

Winter of the White Pines, 17" x 21"

"For me the poetry of color and the music of line are best expressed with watercolor because of its unpredictable nature and its transparent qualities."

Fueled by her love of both music and a wide range of visual arts including sculpture, Sarah Yeoman eventually found her strongest creative voice in watercolor. Nourished by the natural beauty of northern Delaware and of the Adirondack Mountains in upstate New York, she is attuned to the mood and spirit of the land. Rather than laying on paper an exact copy of the world she observes, she allows her paintings to develop organically -- revealing the presence of the artist in the process -- and, with each painting, she invites the viewer to enter the narrative and finish the story.

Falling Light, 22" x 30"

Crow Caucus, 22" x 30"

Teaching is an integral part of who Sarah is as an artist. She teaches weekly classes in her studio as well as workshops thoughout the Northeast, guiding and coaching her students to discover their own paths and unique visual expression. Her paintings have been juried into museum and gallery shows in Delaware and Pennsylvania, and her work is on display at Hardcastle Gallery in Centreville, DE and at Abanakee Studios in Indian Lake, NY. Sarah is on the board of the Philadelphia Watercolor Society and has recently been chosen as one of fifteen Master Artists from the state of Delaware.

Homer's Blues, 22" x 30"

Ocean, 20" x 30"

Please link to Sarah's website to see more of her work.

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Debbie Cannatella

You've Got Mail, 20" x 22"

As much as Debbie Cannatella admires watercolor techniques that show soft abstractions and seem to flow with wild abandon, her natural style is to paint tight and detailed realistic works and to incorporate well-defined geometric shapes in her non-objective works. A 25-year career as a senior highway designer is evidenced in her love of geometry, linear movement, and linking pathways.

Old Salt, 32" x 26"

Debbie began painting in watercolors at the age of 15 and has developed her skills through reading, painting, participating in critique groups, and taking workshops with artists she admires. As a norm, she works in transparent watercolor, occasionally using acrylic in a transparent manner. She works from still-lifes, photos, and sketches; lately she has been incorporating more symbols and imagery in her work, weaving a story as she paints.

Shooting for the Stars, 32" x 26"

Aloha, 38" x 30"

Frequent moves required by her husband's career have taken Debbie from large, busy, gallery-filled cities to a small town where she spearheaded the development of an arts coalition and fine art gallery, and back to a major urban center. With each move, she finds the local watercolorists and builds her niche in the community. She has taught workshops and private classes and is active in numerous local arts organizations wherever she lives. A signature member of the Louisiana Watercolor Society, her work appears in Chris Unwin's book Artistic Touch 4 (2010).

Grapes Durand, 32" x 26"

Please visit Debbie's blog to learn more about her work and follow her profile link to her website.

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Andy Evansen

Daybreak at Shem's Creek, 14" x 19"

Largely self-taught, Andy Evansen was drawn to watercolor after acquiring a Charles Reid book on figure painting when he was in high school. Interested primarily in the landscape, he has taken workshops from renowned artists such as Skip Lawrence, Eric Weigardt and Alvaro Castagnet. Andy observes, "They instilled in me the delicate balance between painting loosely yet convincingly through strong shapes and good design, and that is what I now pass on to my students. Any scene is a possible painting for me, provided the light and shapes attract my eye. The struggle to master a medium that is best when left to 'do its own thing' will, I'm sure, keep me humbled and excited for years to come."

Huddle Up, 10" x 14"

House on the Hill, 10" x 14"

Andy has been painting watercolors for almost 20 years and now paints and teaches around the world. He has made recent painting trips to China, Europe, Mexico, and Canada and will be teaching a workshop for the Southwestern Watercolor Society in Dallas in mid-October. His work has appeared in several magazines -- International Artist, Watercolor, and Watercolor Artist. In 2011, Andy will be a guest artist at the Plein Air Painters of America Exhibition and Sale in Stockton, California. His work can be seen at Segil FIne Art in Monrovia, California and at the Wilcock Gallery in Excelsior, Minnesota.

The Sampan, 7" x 10"

Fishing From Shore, 10" x 14"

Please jump to Andy's website to see more of his work.

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Solveig Rimstad

Apple Blossom, 13" x 19"

Encouraged by her practical father, Solveig Rimstad entered the work world as soon as she finished high school, putting aside dreams of attending art school. But she continued to draw and sketch and after a period of illness in mid-life forced her to quit her job, she began to paint seriously in watercolor. She credits her good friend Aud Rye, a wonderful artist in her own right, with pushing her in the right direction, and she also took workshops in Norway with Americans Carol Carter -- whose work has always been exceptional to her -- and Rose Edin -- from whom she learned a lot of color theory. For a long time, in addition to classes, Solveig painted 12 hours a day to improve her skills. She works in transparent watercolor, usually layering on 6-8 washes, and she blends her paints on the surface of the paper to create vibrant color.

Trumpet Flower, 16" x 10"

Coconuts, 30" x 22"

Solveig continues to take workshops for technical development and also teaches in her home studio as well as traveling to give weekend workshops. She has had a number of exhibitions, both locally and in other places, including an exhibit at the Norwegian Seaman's Church in Los Angeles in 2002. Her work has been published in the Norwegian art magazines Kunst for Alle and Decor and has been included in two other books. Her paintings are held in private and public collections; she is currently showing work at Gallery 104 at Sandane, in the west part of Norway.

In 2009, Solveig and her friend Aud published a beautiful book of their floral paintings titled Blomster -- Naturens eget festfyrverkeri which translates to "Flowers -- Nature's own Fireworks."

Luke, 11" x 14"

Mother, 16" x 13"

Please visit Solveig's website to see more of her paintings and to get information on ordering her book.

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John Maslen

9-11 Preamble, 20" x 28"

John Maslen's artistic works occupy three distinct niches -- architect, watercolorist, and children's book illustrator. John attended Rhode Island School of Design, and worked as an architect for many years, receiving an American Institute of Architects Honor Award. Then, hired on by his wife in the mid-1970s to help with her books for young readers, he served as illustrator, publisher, and marketing person as they created the very well-regarded Bob Books -- designed to teach reading to young children. As the popularity of the books soared, they joined forces with the Scholastic, Inc. publishing group in 1993. John continues to be involved with Bob Books, now serving as co-manager with his daughter Lynn.

By the Dawn's Early Light, 20" x 28"

Mask I, 20" x 28"

Throughout his long careers in architecture and book illustration, John continued to paint and exhibit his watercolors, winning awards at every level during the past 30 years and earning signature status in the National Watercolor Society (in 2000) and Master Status in the Transparent Watercolor Society of America in (2009).

Marinal III, 20" x 28"

Because most of John's work is not available online, and because he is one of the few people I have encountered who works in transparent watercolor to create mostly non-objective paintings, I've decided to present more than the usual number of pieces on the blog this week. I hope you enjoy this overview of his work.

Marinal V, 20" x 28"

Marinal VI, 20" x 28"

Fish IV, 20" x 28"

Suspense I, 20" x 28"


Suspense III, 20" x 28"

Field Storm, 20" x 28"

French Harbor, 20" x 28"

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